Marko Tandefelt is a Helsinki born and based concept whisperer, designer and educator, with 20+ years of experience working and educating in a hybrid between art, design, media and technology fields in New York. Among his interests are: New user interface concept design, sensorbased prototyping, immersive interactive multisensory cinema, experimental visualization systems, electronic music, crowdsourcing, co-design, and sustainable electric transportation systems. Marko has worked for companies such as NEC R&D Labs, ESIDesign and Antennadesign/NYC MTA.
In Helsinki Finland, Marko has been working on a wide range of projects within many overlapping domains and disciplines, including: Technology consulting for a realtime 3D Body scanning art installation “Body As an Image” for media artist Hanna Haaslahti, currently considered for the 2nd round of Sundance Film Festival New Frontiers; Interface prototyping for a groundbreaking electric car charging system for Parkkisähkö OY; and concept consulting/whispering for an innovative, yet unnamed Finnish startup.
After his studies, Marko worked at the Finnish Cultural Institute in New York as an AV & Media Producer in a large scale touring international exhibition Eero Saarinen: Shaping the Future, as a Project Director and Curator of “SAUMA: Design As Cultural Interface” and “F2F: New Media Art from Finland” exhibitions.
From 2001-2016 Marko taught Masters level Physical Computing and Thesis Studio courses at Parsons The New School for Design MFA Design Technology program. His students have won numerous leading international design/media and art awards, such as Ars Electronica Golden Nica, Red Dot, IF, AIGA, Adobe Web Design, Golden Web, Cologne Design Award, Nokia Mindtrek, Good Design Award, and Future Everything Award, to name a few. From 2007-2015 Marko worked as the Director of Technology and Research/Senior Technology Manager at Eyebeam Art & Technology Center where he was in charge of practical and conceptual implementations of technology within wider creative processes, artist’s practice and exhibitions and research. Marko was also in charge of audiovisual and technical realization of large exhibitions such as: Source Code, Interference, ReGroup: Beyond Models of Consensus, Biorhythm, Surface Tension: Future of Water, Untethered, Tourists and Travelers, X-LAB, Feedback Ecovisualization exhibition and Postgravity Art Syntapiens to name a few (for more, see under “Exhibitions). Among central projects at Eyebeam, Marko was involved in organizing an experimental 3 day hackathon on novel interactive multisensory immersive cinematic storytelling methods, New Cinema, together with the Creators Project/Intel/Vice Magazine. The event enabled the creation of collaborative projects between feature film directors, world’s leading creative coders, and 3D/SFX people from UK based company Framestore, behind visual effects for Harry Potter, Avatar, Children of Men and Gravity movies.
Relating to cinema, future, new human interface technologies and affective/emotional computing, Marko was asked to consult for a Microsoft team on the conceptual structuring of a large hackathon relating to user interface design, inspired by Spike Jonze’s movie “HER”, organized in collaboration with Vice Magazine and Warner Brothers, taking place at his Alma Mater, NYU Tisch Film & TV School’s ITP Program. Before moving back to his native Helsinki Finland, Marko was invited to “Virtually Human: A Panel Discussion on the Future of Cognitive Machines”, a resonating small event on how human and non-human agents related, touching also on the Future Life Institute’s open letter on Research Priorities for Robuse and Beneficial Artificial Intelligence, hosted by IBM Watson Research Center. Issues relating to technology, its impacts, the future of A.I. are among major concerns of his.
As a person Marko thinks constructively and critically a lot about the future, hype, the chasm, techno determinism, “inevitable” self fulfilling prophecies, income inequality, white savior syndrome, being “present” and mindful, sofalarity, complacency, art, architecture, urbanism, culture, media, design/design fetishism some suffer from, open source hardware and software technology, new models relating to sharing and co-ownership, future of cinema, music, nature, rural areas and the role of humans and their collective consciousness in the entire soup.
Marko is very passionate about electronic music and especially low frequencies and their impact on the body and mind. He has built musical instruments, electric and synth MIDI basses, pickups, musical gloves, tilt/compass/sensor based instruments and collaborative waterbased connected body instruments. Marko has worked and recorded in NYC based recording studios, including Kraftwerk and Depeche Mode recording engineer and techno DJ Francois Kevorkian’s Axis. The latest band Marko has been playing synth bass in is Varick. He is currently constructing an electronic music and immersive visualization studio in the 1952 Helsinki Olympic Village in Käpylä.
Marko holds a B.M. degree Summa Cum Laude in Music Technology from NYU, and a Master’s degree from NYU Tisch School of the Arts Film & TV School Interactive Telecommunications Program ITP. He is a longtime member of ACM, AES, IEEE, SIGGRAPH, SMPTE and SPIE, and a lifetime member of Pi Kappa Lambda, National Music Honor Society.